Freddie Gibbs – Shadow of a Doubt

I’ve been listening all week and I can tell you that Freddie Gibbs‘ new album is sublime.

Shadow of a Doubt is a beyond-worthy follow up to last year’s best music of 2014 list-making Piñata, where he paired with prolific beat scientist Madlib. While he comes with a bevy of producers this time, the sound is surprisingly cohesive and tightly wrapped. This is one of the best hiphop albums in a year full of strong material.

Since the album is releasing today and I’m working too hard to spend time on a proper review just yet, I’m leaving you with the haunting video for first single Fuckin’ Up The Count. Sporting a thematically spot-on sample from everyone’s favorite drug drama, The Wire, it’s a tense but spacey jam that sets the mood for the rest of the album pretty well.

It also seems to place the album cover into context, shadows obscuring Gibbs’ visage, as a slow motion chain of events spiral ever darker.


The album is out on itunes and Spotify of course, and you can buy the CD edition from Amazon. Not sure about a vinyl release yet, but I’m hoping for it. The last album had superb packaging. I’d love to have that evocative artwork writ large on a 12″ sleeve in my collection.

If you’re not already listening, stream the whole thing below:

Oneohtrix Point Never “Ezra”

This is the final bit of Oneohtrix Point Never news before the new album, Garden Of Delete, drops tomorrow.

OPN, aka Daniel Lopatin, has finally released the first real song, Ezra, as a single on Soundcloud. I really want to share this with everyone because it’s not only a great introduction to the new sound; it’s a layered world of sound unto itself. Enjoy:

Please allow myself to quote… myself here:

“Ezra, the first proper track, leaps from the midi-fired dreams of the previous album, reaching speed behind sheets of Philip Glass-like shrill arpeggios. It appears to crest before the two minute mark, suddenly projecting the nanomachine-clogged cyberpunk future of 2000’s Deus Ex in silhouette. Maybe it’s a sample?”

I think it is a sample. Decide for yourself.

Speaking of this game, the original Deus Ex is both an action-RPG masterpiece, and a definitive work in the cyberpunk canon. It’s the precursor to modern games like Fallout. It’s got a great soundtrack too. Sounds like Lopatin might have played it, too. It’s about $7 on Steam if you’ve never played it.

So I’ve written a lot about Lopatin’s work lately, partly out of excitement for this work, and partly out of a desire to connect with what I see as the most forward-thinking, interesting music being made today. If this is the first piece on the site you’re reading, you might want to see these:

Review of Garden of Delete

First single: “I Bite Through It”

Oneohtrix Point Never “Mutant Standard”

Oneohtrix Point Never’s Mindbending “Sticky Drama” Video


Garden of Delete drops tomorrow! It’s his first full length in 2 years, so be sure to check the album out on Spotify or wherever, if you’ve been a good kid and ignored the leak. I’m just hoping that gorgeous 2LP vinyl arrives on time.

Afrikan Sciences – Circuitous

It pays to heed recommendations. Today I clicked on an artist that my decided I should hear. Afrikan Sciences turned out to be a grand adventure, filling my Saturday afternoon with some kind of space-age techno funk. I fell in love.


I’ll get this out of the way: I love this album, Circuitous, already. It combines so many favorite elements in a fresh way: weird jazz, alien techno, Afrofuturism, synthesizers, sci-fi atmospherics, and a radical approach to percussion and rhythm. Most of all, I’m reminded of a purely instrumental cousin of visionary hip-hop duo Shabazz Palaces, one of my favorite projects on earth – and creators of the best album of 2014.

The titular single is easily one of the most approachable tracks on the lengthy album, but perfectly showcases the quicksand-shifting drum sampling and humming analog synthesizer patches. It’s only a hint of how far deep the material goes. Try for yourself; click play below:

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Rubber Johnny, the most bonkers of all Aphex Twin videos

I just needed to share this right now.

I forgot for the longest time. I had somehow missed the opportunity to share this infamous and absolutely captivating music video on Optimistic Underground for a long, long time. It’s based on one of the final songs on Aphex Twin‘s spastic genius monument, Drukqs, and it’s one of the most unforgettable videos you’ll ever see.

There’s not much to say about this, other than make sure to pick your jaw up after it’s over, and try not to be upset if it takes you outside your comfort zone!



CFCF – You Hear Colours [incredible video]

“This seems really poppy/upbeat for you. Of course I’m always imagining you listening to weird post breakbeat Croatian footwork jazz with Russian metal and Japanese house influences”

The above works were spoken to me by a friend as I shared this fantastic video for an old CFCF track.

While the artist has evolved into something far more weirdly specific and perfect for my tastes (see his last album and Night Bus mixes, which have obviously influenced my own mixtapes), this is the song that started it all. I was immediately hooked and never looked back.


I don’t really have anything else to say. Ed said it best. Enjoy!

Deepchord Presents Echospace – Liumin [full album streaming]

This is one of the best dub techno releases of all time. It’s a nighttime ride through the sonic world of an imagined Neo-Tokyo, on the bleeding edge of an inevitable cyberpunk reality. It’s a propulsive dream.

Rod Modell and Steve Hitchell, two of my biggest Detroit and Chicago electronic music heroes, combined their powers to perfection with this release.

I don’t really have much to say about this right now. It’s just perfect. It’s an unending rollercoaster of perfect rhythm. It’s the kind of album that eats its own tail, leaving you wanting to hear nothing more than the whole thing again. The field recordings of Tokyo are perfect and have inspired me in my own mixtape making. It’s got this type of crystalline neon soaked atmosphere that I frankly cannot ever get enough of.


Pictured: the inside of my head.

I made a huge mistake, not purchasing this CD when it was brand new, sitting in Amoeba Music in San Francisco. I picked the 2 disc set up, eyes glazed at the full set of isolated field recordings on the second platter… and set it down, thinking it was too pricey at $20-something. Now I’m lucky to see prices under $100 used on Discogs. And come on, just look at that cover.


Anyway, I hope that, if you have never heard this before, you’re listening already. It’ll improve your day. If you happen to know where a reasonably priced copy can be found, please let me know!

Kendrick Lamar – i [music video!!]

And so it begins. Kendrick Lamar consumed months of my listening life, two years ago. Now he’s about to drop his follow up to one of the greatest albums of the past decade, good kid, m.A.A.d. City. The first single is called i.

[This post has been updated to include the striking music video for i]

The intro music is apparently a preview of some Flying Lotus beats on the upcoming album!

After hearing his collaboration with Flying Lotus on Never Catch Me, I was primed for more material. It’s been two years since his last album released, but only one year since the CD left constant rotation in my car. I probably listened to that album more than any other released in the past 5 years, in any genre. It’s not just a hip-hop landmark; it’s a colossus of popular music in general. Suffice it to say that my expectations are flying high.

“We got a young brother that stands for something! We got a young brother that believes in all of us! Brother Kendrick Lamar. He’s not a rapper, he’s a writer!”

An announcer opens the song with these words, before the inimitable guitar line of “That Lady” by the Isley Brothers leaps into action. Kendrick comes in with another fresh vocal inflection and the tune is off and running. Bouncy, bright, funky, psychedelic, energetic: it’s a bold proclamation that the young master is back in top form. I dig it. The song obliterated my fear of a sophomore slump in exactly 4:20.

Don’t take my word for it. You should already be listening.


The upcoming album is “soon” and has yet to be titled, so that’s all the information I’ve got today!