CFCF – You Hear Colours [incredible video]

“This seems really poppy/upbeat for you. Of course I’m always imagining you listening to weird post breakbeat Croatian footwork jazz with Russian metal and Japanese house influences”

The above works were spoken to me by a friend as I shared this fantastic video for an old CFCF track.

While the artist has evolved into something for more weird, specific, and perfect for my tastes (see his last album and Night Bus mixes, which have obviously influenced my own mixtapes) but this is the song that started it all. I was hooked immediately and never looked back.

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I don’t really have anything else to say; Ed said it all. Enjoy!

Rest In Peace, Tangerine Dream founder Edgar Froese

My morning news just brought word that Edgar Froese, founder of one of my favorite bands of all time, Tangerine Dream, has died at age 70. The cause of death was pulmonary embolism.

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Tangerine Dream, for those only familiar with the name via a smattering of mostly-great 1980s film soundtracks, were one of the most innovative and popular bands to emerge from the 70s German krautrock / kosmiche scene. Constantly evolving, they helped birth the modern ambient sound and informed generations of electronic music in every form. Froese was the only consistent member through dozens of lineup changes that included the luminous contributions of Klaus Schulze and Conrad Schnitzler.

Moving from spooky moonscape-scouring meditations through epic space rock and pulsing dance music, Froese never let the band stay perched on one sound for long. With over 40 years worth of music to choose from, fans of the band can never reach consensus on what is the best. Personally, my heart will always return to Rubycon. The eerie psychedelia on these two tracks laid the blueprint for ambient rock, but was so much more than a chill-out session. Analog synth arpeggios lay a spaced out bed for for a quietly propulsive rhythm. With a wash of disembodied choral voices influenced by György Ligeti, plus tactile sounds from gongs, strings, and woodwinds, the eponymous pieces build tension and ease it away like a tidal wave in slow motion.

I hope you enjoy this full album stream and, if you’re not already familiar with the band, dig in to the body of music Edgar Froese and company have left behind. I’ve collected below a selection of the most important Tangerine Dream albums. These form a distinct arc from the sparkling cosmic tones of Phaedra, when the band emerged from purely drone-based sounds into more structured orchestration, to the distinctly 80s dystopian futurism of Exit.

This music has inspired an entire wave of modern artists, including Yellow Swans, Emeralds, Bee Mask, and my favorite currently working musician, Oneohtrix Point Never. (Thanks for the reminder, Mr. Jones!) Special mention must be made of the most obvious nod toward classic Tangerine Dream I’ve featured on this site: Skyramps. The one-off collaboration between Daniel Lopatin (Oneohtrix) and Emeralds’ Mark McGuire soars between the ambient guitar and pulsing synth ends of the sound that Froese and company conjured at their peak. There’s no more fitting a love letter to this man’s work than listening to the albums themselves.

Here are those full length albums:

Phaedra, 1974

Ricochet, 1975

Stratosfear, 1976

Music from the Motion Picture, Sorcerer, 1977

Exit, 1981

If you’re interested in purchasing any of this legendary music, check out the band’s Discogs page for used vinyl and CDs. However, since I know barely anyone purchases music anymore, I’m happy to let you know that the vast majority of the Tangerine Dream catalog is available on Spotify. Enjoy any way you prefer!

PS: If anyone has any thoughts or recommendations to add, please leave a comment. I will be editing and amending the post with any thoughtful words my fellow fans leave here.

Edit 1:  I forgot to mention that Froese worked extensively on the music of Grand Theft Auto V, being the central mind behind that morphing, interlocking, dynamic score that elevates the game in a way over all of its predecessors. Whether the pulse pounding moodiness of a night flight in a helicopter, or the ballistic brass shards erupting during a police chase, Edward Froese gave the game a distinctive atmosphere that harkened back to Tangerine Dream’s scores for Thief (Michael Mann) and Legend (Ridley Scott) and their own mid-70s runs of lush space rock.

“A Charlie Brown Christmas On Acid”

So, in 2007 The Flaming Lips released this “secret” Christmas album under the pseudonym Imagene Peise, a play on John Lennon’s famous adage about peace. It’s called Atlas Eets Christmas. At Last It’s Christmas, get it? All punny thoughts aside, this is a delicate, hazy, gorgeous amalgamation of several classic holiday tunes that even your mom will enjoy.

Oh, and it’s been described as, “A Charlie Brown Christmas on acid,” so there’s that. I think this is more fitting than not. Imagine a handful of old holiday Chestnuts on melted 78’s beamed aboard a passing UFO and you’ll get the idea. Or just fire this up and enjoy. Fire one up and enjoy?

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Here’s a formal track listing. Keep in mind that this is a warped mixture of tunes, not a traditional rendition.

1. Winter Wonderland
2. Silver Bells
3. Christmas Laughing Waltz (Jingle Bells)
4. Silent Night
5. Do You Hear What I Hear?
6. Have Yourself a Merry Little Christmas
7. White Christmas (Binson Echorec Sleigh Ride)
8. Altas Eets Christmas

Underworld – Thing In A Book [with a strange fan video]

Languishing for two decades in the rare original Dark & Long single, Underworld’s Thing In A Book is finally seeing the light of modern day this month. Courtesy of the 20th Anniversary Super Deluxe edition of legendary dance album, Dubnobasswithmyheadman, the wider world can appreciate what has been one of my favorite hidden gems for years now. It’s a 20 minute minimal techno monster, an otherworldly take on Dark &Long that jettisons our solar system, hitting light speed on the way to stars beyond.

There’s a methodical build to the spare insistent percussion, slowly accumulating layers of analog synth and interstellar static. Bits of guitar and monosyllabic snippets whisper by. The sound floats closer to Philip Glass and the pop ambient of Kompakt than Underworld ever dared before or after. I’m warmly reminded of legendary Detroit techno project Deepchord presents Echospace, an act assembled over a decade past this song. My headphones access a maglev train, pinging sonar over glowing dot-matrix mountainsides. My brain locks directly into its groove on a primal level. Simply put: it’s a perfect long-form chillout techno piece.

This is the best youtube version of the song. We’ve got a high quality stream of the music itself combined with a strangely hypnotic fan created video. The footage moves like a weirdly banal camcorder take on the time lapse photography of Godfrey Reggio, the subway tracking, sidewalk rushing connective tissue of Koyaanisqatsi. Watch it, or leave it in the background and enjoy the song purely on its own terms. Despite its minimalist nature, the song still packs a number of Underworld’s more populist traits. More than anything, this one feels as refined as a Swiss watch, cranking up the tension through its lengthy run. There’s a certain appeal to something so unabashedly epic, yet restrained and introverted, that tears into my heart. If you haven’t heard this, you may be surprised.

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The band seen in 1994 (supposedly).

I should mention the 20th anniversary reissue of Dubnobasswithmyheadman. This is a rare example of an album from the burgeoning CD era being remastered with care and delicacy. Subtle details I’d never noticed in my nearly two decades of listening were revealed. The drums are punchier, basslines snappier. Yet the loudness war remains in distant lands, allowing the full dynamic range to stand intact. The two disc edition contains some essential early singles, but the five disc edition (seriously) holds nearly everything produced in that era, including Thing In A Book. If you don’t have the money or patience for that massive slab of music, the whole set is streaming free on Spotify.

Just give it a listen. I’ll be looping this for a while at work tomorrow.

Alice Coltrane – Divine Songs

This is a glowing gem known only to those who have burrowed deep enough into the inimitable catalog of jazz legend Alice Coltrane.

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“Divine music is the sound of true life, wisdom, and bliss.  This music transcends geographical boundaries, language barriers, age factors; and whether educated or uneducated, it reaches deep into the heart and soul, sacred and holy…” – Alice Coltrane

Released in 1987 on cassette only, Divine Songs is the purest expression of the spiritual drone jazz sound that Alice had been perfecting ever since establishing the Shanti Anantam Ashram in the decade prior.

Soaring into ethereal space, leaving only the faintest jazz roots visible, the sound here is birthed in minimalist Indian organ modes. The atmosphere cracks open with harp and strings, shining brightly around her transcendent voice. It might not be for the casual fan, but if you’re tuned in to the celestial vibe Alice developed in the years after her husband, John Coltrane, died, you’ll settle in perfectly here.

A bonus for fans of Flying Lotus, and his album Cosmogramma in particular: keep your ears open for fleeting moments where he sampled his great aunt directly. With such a heavy influence she’s had on his music, the cameos feel especially poignant.

Flying Lotus – Coronus, The Terminator

Just now, Flying Lotus dropped a second preview track for next month’s long anticipated album, You’re Dead! The song is titled Coronus, The Terminator, and you can listen right here:

After first single, Never Catch Me (featuring Kendrick Lamar) burst out of his studio, Flying Lotus’ longtime fans were both reassured of his musical wizardry and shaken by the first appearance of a full-on rap verse in his music. I’m smitten with the sound, a sort of hyperactive take on late 70’s psychedelic jazz marching to a stuttered hip-hop beat. Lamar’s vocals were suitably drenched in the alien atmosphere, the requisite Thundercat bass fireworks popped just right, and the ending shot off into that fuzzy space where Cosmogramma left off.

This time, a low slung beat eases us into a pool of languid falsetto funk vocals, splashing in phosphorescence. Thundercat’s presence is far more subtle here, dancing lightly around the wood-clap percussion. A traditionally “Flylo” shuffle beat materializes, driving an ascension toward the same astral plane he occupied on Mmhmm nearly 4 years ago. It’s a hermetic, relaxed little slice of space age spiritualism that works as a perfect foil to the frantic Never Catch Me.

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This preview pair might give us a nice hint toward the full breadth and scope of You’re Dead! but I’m prepared for bigger surprises, come October 7. Check out the Flying Lotus – You’re Dead! page at Warp.net and make sure to watch the dizzying video preview below, featuring visuals from one of my current favorite Japanese artists, Shintaro Kago. Warning: sorta NSFW. (Second warning: may induce seizures)

You watched it right? This is the beginning of an autumn full of brilliant music.

First Thoughts on Aphex Twin’s Syro

On Wednesday, September 17, 2014 at some point after 7pm, Aphex Twin‘s first album in 13 years leaked. Syro is playing right now, and I have a grin as big as the one below.

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Just as I start typing well past the halfway point of this album, a sudden dynamic bloom splits CIRCLONT14 wide open. Wordless female vocals seem to come from below and around me, before erupting a cyberpunk break straight from future-Detroit. This is one of many moments so far to truly surprise me and dilate my eyes, and it’s the biggest so far.

Somehow time seems to be stretching forever. The songs appear to go beyond their track lengths. This is a wildly unnatural sensation. Fun times usually pass in a flash. I’m definitely having fun.

A boogie funk line just hijacked the proceedings. I’m now unable to think of what came before. Wait, no. Let’s jump back to the beginning.

It begins with minipops 67. We know how grand this is, how warm and sensuous it is, referencing the first Aphex Twin album and his boldest pop moment at once. Next..

Now I’m hearing a synth ghost chorus, high speed jazzy drum programming, and what can only be described at this moment as an equatorial oscillation. Maybe that should be a question? It sounds like nonsense. I’m not going for anything profound right now. This isn’t going to end that thoughtfully. I just wanted to lay my excitement down in words, as it happens. Gonzo style. Of course, I’m safe, alone, and in my apartment, but all the same: this is me experiencing an album I never knew I wanted so badly for so many years.

As the final track, aisatsana (Anastasia in reverse, incidentally) winds down in Gymnopédie-like ecstacy, I’m reminded of nothing so gentle and haunting as Virginia Astley‘s 1983 song A Summer Long Since Passed. I’d rather not spoil anything, so just listen to this song if you want a metaphorical preview of Syro’s ending.

I feel like maybe the title is appropriate, somehow.


I’m starting it over. Track two now, and I’m realizing how tactile this thing feels. I may get the cybernetic dream sequence feeling from Selected Ambient Works 85-92, but it’s far more alive. I can’t wait for the the arrival of my 3LP next Monday.

FINAL MASTER SYRO DIGIPAK.indd

The leak is out there. I won’t share links because anyone interested enough can find them. Besides: buy this. Buy it now. I did before hearing even the first single, and now I’m cemented in my belief that it was a Good Choice. If you’re a fan of the man at all, this is a sure shot. Check the Warp page for links to purchase.