Oneohtrix Point Never – Garden Of Delete

Oneohtrix Point Never has returned with a massive new album you can call G.O.D. It peels up the corner tiles of a thousand realities over 45 minutes, blooming micro-worlds of sound and immediately dissolving in head-on collisions.

For the first time in years, OPN – real name Daniel Lopatin – hasn’t completely restructured his sound, yet I’m feeling the same sense of dizzying vertigo that he’s made a career out of conjuring. In a real sense, the strongest component of his appeal has always been that daring sense of surprise, the act of an artist venturing over the edge of the known music world and bringing back sounds that I’ve never even anticipated, much less heard. More than a style, it’s an idea, a philosophy. In the wrong hands, it can become a cheap trick. This is something far more substantial.

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Flying Saucer Attack – Instrumentals 2015

So suddenly Flying Saucer Attack appears again, nearly 15 years after last contact, with a set of unnamed instrumentals. It’s gorgeous, droning guitar music that makes no apologies for its obliqueness and doesn’t try to reach out to the uninitiated.

This slab of ashen dream is ready and waiting for anyone interested.

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Oneohtrix Point Never will release his Magnetic Rose score on Record Store Day

So, this is more of a news item than music that I’m sharing, but I’m too excited to keep it to myself.

Last October, Oneohtrix Point Never (aka Daniel Lopatin) recorded a brand new score for the astonishing 1995 anime film Magnetic Rose, premiering it live along with the film itself at a live event in the UK. I obviously and regrettably did not attend. However, good news is afoot!


Today Lopatin announced that he will be releasing a follow-up to last year’s Commissions I 12″ on Record Store Day, surprisingly titled Commissions II. The new release features selections of his suite inspired by the video game scores of Manabu Namiki, Bullet Hell Abstraction, on side one. The bigger news for this fan, however, is that side two includes music from his re-imagined soundtrack to Koji Morimoto’s aforementioned anime short, which was originally part of the Memories trilogy.

You might recognize Magnetic Rose as the film gracing this very blog’s headliner – that decaying future piano resides at the heart of the mind-bending film. I consider it a sort of psychedelic cousin to the original Alien.

The release is over 30 minutes long and boasts more minimalist cover art from Robert Beatty. Hopefully that blue X is another die-cut detail like part one had!


So, fellow Lopatin fans, keep an eye out on Record Store Day 2015, which hits Saturday, April 18.

Black To Comm’s Gigantic Self-Titled Album

This album made a spot on my Best of 2014: Honorable Mention list, for a lot of great reasons. Here it is, streaming free in its entirety.


It breaks traditionally stone-faced drone music into wondrous, almost funny eruptions of surprise and joy. Its 83 minute running time seems monolithic and impenetrable until you actually hit play and topple inward. The first track bursts with a mischievous philosophical rant, peaking with the line,

“Grab yourself by the anus and turn yourself inside out. Reveal your inner workings! Put that which is most basic out into the light, and put the decorative outer wrappings where they belong.”

The final track ends in a fever dream of early industrial rock vocals and manicured feedback swirls. A whole lot of really fun, weird music happens in between. Fans of Fennesz, black metal, drone rock, David Lynch, and fucked up dreams: listen now.


Black To Comm is the artist name of German musician Marc Richter. He doesn’t have a lot of pictures online, so I just thought I’d share the album art in high resolution.

Best Music Of 2014: Honorable Mention


Welcome to Part 1 of the Best Of 2014. Part 2, the very best albums of the year, can be found here: The Best Music of 2014

For my official Best Of 2014 list, I wanted to be concise and honest, brutally direct. I trimmed the full list to just 14 albums that affected me in some grand fashion. This did not leave much room for the most of the amazing music I heard last year, became addicted to, and still listen to today. So, instead of making some sprawling list, I’ve crafted a full breakdown of my “Honorable Mention” albums of 2014. The music here is astounding, through and through. I just happened to love a handful of music even more than this. That list is coming soon.

I’ve included one song from each album, choosing a music video when available, and audio-only tracks for the rest. Click play and listen to these, especially if you’re totally unfamiliar. This is how new favorites are born!

Please let me know in the comments what albums you feel I may have missed, or share how you feel about what is here. I’d love the feedback.

Albums are listed by artist and title, with the record label below.

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Brian Eno’s Windows 95 startup sound, slowed down 23x

Oh wow. This is suddenly wonderful.

Today at work, the Mac OS startup sound was mentioned, and I offered that I always liked the original Windows 95 sound, created by Brian Eno. Besides; I associate that sound more with Wall-E than my office computer. It’s true; the godfather of ambient music has been in more ears than even the biggest pop stars. Searching youtube for the clip, however, brought me this little treasure.

I hope you’ve already hit play.

There’s really nothing much to say about this other than: listen to the massive difference that a simple, yet drastic change of tempo can to do a song. Suddenly we’re in echoing-angel, gossamer synth territory, and it feels great.

I hope some of my friends see this and get the same kick that I did.


Marco Shuttle – Visione [full album streaming]

Seeing ‘with Donato Dozzy’ attached to the first track on this debut album from Marco Shuttle, I absolutely had to listen. As a total unknown to me, the bespoke surrealism of the cover art caught my eye, but Dozzy grabbed my attention. As half of Voices From The Lake and an incredible techno artist in his own right, this guy will always deserve my time.

Featuring on this album is an endorsement that’s paid off handsomely. This is one of the best albums of 2015 so far. The best news is that the entire thing is streaming free:

Just, wow. I love Donato Dozzy and everything he touches, but I never expected to hear him associated with a guy who’s inadvertently soundtracking that heart-ripping-out scene in Indiana Jones and the Temple of Doom.

Pried open with a slow motion drone tumble, the album kicks off in spectacularly ominous fashion. The cavernous sound would feel right at home on the Modern Love imprint, as a close cousin to Demdike Stare in their rhythmic moments. There’s a primal undercurrent at play here, soaking the beats in atavistic decay.

As the tracks progress, a heavy momentum kicks everything up a notch. The dread remains, yet creeps into a muted frenzy as the pace quickens. This is techno as a death march, stomping panic underfoot before emerging into brighter timbres in the album’s second half.


I feel like I’m giving the impression that this music is scary. It might be spooky at a glance, but it’s definitely not the howling-existential-panic I’ve plumbed the depths of in the past. There’s a buoyancy and charm to the mix, shining through in the handcrafted nuance of these songs. There’s the very fact that it never drops completely into a droning abyss; the beat always remains within arm’s reach. This is certainly not club material, but it is resolutely not a soundtrack for laying in bed all day. I’m going to listen on my commute to work tomorrow, and the rest of the week, I’m sure.

You should already be listening by now, so I’ll stop with the description and simply state that this was such a pleasant surprise to find in the throes of another frozen January. Like Andy Stott, Actress, Burial, and Shackleton before him, Marco Shuttle has managed to lift my seasonal spirits with music that’s somehow both wholly appropriate for nighttime blizzards and meditative daydreams.

Here’s that gorgeous artwork again, just because I like it:


The 2LP set is in stock at Amoeba Music in the US, Juno Records in the UK, and Delsin Records in the EU.